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Death Row Records is one of the most successful music labels of all time.��From its inception in 1992, it exploded on the rap music scene with sales climbing to the $125 million mark in just four years.��Even more noticeable than the label's financial success is the effect it had on American youth culture, making gangsta rap more popular with suburban white youth and MTV viewers than traditional rock groups.��But under the guidance of six-foot-four-inch, 300-pound CEO Marion "Suge" Knight, Death Row also became the most controversial record label in history--a place where violence, gang feuds, threats, intimidation, and brushes with death were business as usual.
Have Gun Will Travel details the spectacular rise and violent fall of a music label that had at its heart a ferocious criminal enterprise cloaked behind corporate facades that gave it a guise of legitimacy.��With inside access no other writer can claim, Ronin Ro, the country's preeminent rap journalist, exposes the facts everyone else is afraid to divulge--from the initial bankrolling of Death Row by a leader of L.A.'s notorious Bloods gang, to links with New York's Genovese crime family.��Have Gun Will Travel lays bare the full story behind this influential label, including the still-unsolved murders of Tupac Shakur and the Notorious B.I.G., as well as Suge Knight's rise to power, his fight with East Coast rap titans such as Sean "Puffy" Combs, and his eventual imprisonment.
Although it has been all over the news--from The Wall Street Journal to Rolling Stone--this is a timeless story about an empire built on greed, corruption, murder, and exploitation.��With exclusive interviews and bloodcurdling eyewitness accounts, Have Gun Will Travel combines the behind-the-scenes fascination of books like Hit Men and Hit and Run with the violence and dramatic sweep of The Godfather, in a brilliant and blistering document of contemporary culture.
From the Hardcover edition.
- Sales Rank: #1175091 in Books
- Published on: 1999-03-16
- Released on: 1999-03-16
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x 1.01" w x 5.50" l,
- Binding: Paperback
- 384 pages
Amazon.com Review
No one more epitomized the world of gangsta rap than Suge Knight, the often brutal CEO of Death Row Records. Author Ronin Ro shows courage in detailing the frightening means used by Knight to corner the market on the most hard-core of urban music. It's a tale that reads like it was written by the bastard offspring of Horatio Alger and Quentin Tarantino. Knight's forceful style and legal entanglements have been the stuff of legend for years. Most music reporters, coming face to face with the thugs who enforced the rules at Death Row, have been afraid to tell the story. With Knight safely behind bars and Death Row in disrepair, Ronin Ro finally has the chance to put this violent soap opera in print.
From Publishers Weekly
This story of the West Coast rap label Death Row Records and its head, Marion ("Suge") Knight, who brought the techniques of his violent L.A. gang, the Bloods, to his boardroom and terrified the industry, is pitiful and horrifying. Ro (Gangsta) reports the shocking tale of a man who began as a football player, doing a stint with the L.A. Rams, then became a bodyguard and, finally, with an infusion of drug money, according to Ro, in 1993 founded the record label that earned almost $400 million in four years and assembled a stable of stars like Dr. Dre and Snoop Doggy Dogg. Said to be run by gang members, Death Row pirated top performers from other labels, often substituting expensive gifts for royalty payments, and at length clashed with East Coast rappers. Ro also ventures into the unsolved murders of rappers Tupac Shakur and The Notorious B.I.G., with several conjectures. He makes a significant contribution to the history of pop music.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Music journalist and former rapper Ro provides an in-depth history of Death Row Records, one of the premier gangsta rap labels, with a spotlight on label mastermind Marion "Suge" Knight. He begins with the transformation of Knight from an introspective college football star, born into a stable lower-middle-class home, to a brash record-industry hopeful willing to gamble anything on success. In brief, sometimes gripping chapters, the author describes Knight's initial partnership with rap star Andre "Dr. Dre" Young, the formation of Death Row Records in 1991, Death Row's first mega-hit with Dr. Dre's "Chronic," and continued success with million-selling records by Snoop Doggy Dogg and Tupac Shakur. Throughout, he highlights the violent, intimidating, gang-influenced tactics of the label, which eventually led to an F.B.I. investigation, Knight's imprisonment, the murder of Tupac Shakur, and the demise of Death Row Records. This well-written, provocative account casts Death Row Records as a street-based outgrowth of a corrupt, hit-a-minute record industry and illuminates the dark side of the materialistic, get-what-you-can culture of the 1990s. Highly recommended for general readers and music fans.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Worth reading if you're a rap fan.
By Todd Martin
This book leaves me with a lot of mixed feelings. There is a lot of interesting insight into Death Row that you probably don't know. It connects the different 'eras' if you will of Death Row, from the Chronic to All Eyez on Me and does a fine job of putting Death Row in its place in the rap game. It flows easily and is a very interesting read. However, it is not without flaws. First, Ronin Ro tends to repeat things. He'll tell the same anecdotes multiple times in the book, which really comes across as amateurish. Moreover, I think a lot of people are buying this to read more about 'Pac. I know that was a large part of my motivation. However, that is not a good reason to get this unless you're interested in the bigger picture. Ro paints a very unflattering picture of 2Pac (and just about everyone on Death Row in one form or another except Dre). And, if you want to hear the cricisms of the man, "Rebel For the Hell of it" is more direct on 'Pac. The strongest part of the book, however, is the looks into how Suge built his business which is really interesting. No one else would say all this about Suge, and I'm betting Ro will be moving to another country by the time Suge is set free. If you're a rap fan, get this book. If you're not, or you're more into just 2Pac, you might want to think a bit about it, although I think most anyone would enjoy this.
7 of 7 people found the following review helpful.
Hit Men Meets The Godfather. The Result is Terrifying
By A Customer
Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records-Ronin Ro. Ronin Ro is a bold, bold man. I say this because he had the courage to write a book, a rather unflattering one at that, about Marion "Suge" Knight, the former Los Angeles Ram and towering CEO of Death Row Records.
Have Gun, Will Travel chronicles the entry into the music business of a man with no real musical talent. No songwriting or singing skills to speak of. His greatest assets were sheer will and brute force, which he used in abundance, especially when it came to "claiming" artists from the rosters of other labels. Suge envisioned Death Row as a Motown of the '90s, and he apparently carried that wish out to the letter, down to ripping artists out of their royalties. But Death Row was never really about music. It was about power, and a way to legitimize his street thug life. Every story you've ever heard about him, from threatening to throw Vanilla Ice off a balcony to the growing feud between East Coast and West Coast rappers, is contained here, along with a few I never heard before. The book portrays Tupac Shakur as a melodramatic jerk, Sean "Puffy" Combs as a poseur who came from money but was otherwise harmless, and Biggie Smalls as, well, exactly what he seems, a crack dealer who also sold lots of rap records. The theories contained surrounding the hits on both Shakur and Smalls would send even Oliver Stone's head spinning.
The book is not very well written: It reads as if it was written in installments for a magazine and then compiled, rather haphazardly, for a book. But the story is equal parts fascinating and terrifying. Assuming half of it is true, that is: There seems to be a rebuttal to nearly every story printed. Whether that was done in the interest of unbiased reporting or Mr. Ro covering his butt, is unclear. But I would certainly understand him doing it for the latter reason. Knight is currently serving an eight year sentence for violation of his parole, and I wouldn't be surprised if the people brave enough to be honest about Knight in this book started disappearing upon his imminent release. Like the book Hit Men with much more Godfather mixed in, Have Gun Will Travel is a cautionary tale of what a little power will do to an already powerful person. It also made me grateful of two things: One, that I'm not a rapper; Two, that I will likely never meet Suge Knight. This man scares me. ***
1 of 1 people found the following review helpful.
Good effort but info not correct at times and unstructured
By A Customer
Ronin Ro picked an interesting subject to write about. There has been so much weird sh*t going down at the Deathrow Camp for the past few years. The book is for the most part chronological and details how Deathrow started by "stealing" artists and producers from other labels like Ruthless Records. For the most part the stories told in the book are amusing and interesting and the book is fun to read if you are into hiphop and want to know more about the East/West war and the Tupac/Biggie feud.
However, there are many simple details that are incorrect and this makes me wonder how many of the spectacular events portrayed in the book are true. For instance, Ronin writes that Mobb Deep did a song called LA LA, which is incorrect. There are other annoying details in the book and it seems that Ronin usually got his info from one source only without double checking the facts with a second source. The structure of the book is also disappointing, several facts and stories are repeated and sometimes don't even match. The book is OK but could have been good if Ronin would have cleaned up his facts, structured the writing and cut about 100 pages. If you read magz like Vibe, the Source are into Hip-Hop you will not find anything new in this book. Strictly for non hip hoppers and light weights who listen to Will Smith and Salt'n'Pepa type stuff . . . Now when will we get the REAL behind the scene details, told by someone who was on the inside???
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