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Minggu, 22 Maret 2015

[M459.Ebook] Download The West End Horror: A Posthumous Memoir of John H. Watson, M.D. Paperback January 23, 2013, by Nicholas Meyer (Editor)

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  • Published on: 1605
  • Binding: Paperback

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Sabtu, 21 Maret 2015

[D995.Ebook] Download PDF Callous Disregard, by Rex Elliot Hall

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Eyewitness account of "Hotsy" Hargan, who worked at the Paducah uranium enrichment plant (Ky), frontend of the US weapons complex, for 40 years. He became a whistleblower and management tried to kill him with radiation. The contractors lied to the workers about the presence of dangerous transuranics and most operators died from cancer. Ultimately the Callous Disregard stemmed from the US government.

  • Sales Rank: #1584560 in Books
  • Brand: Brand: lulu.com
  • Published on: 2010-12-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.56" w x 6.00" l, 2.00 pounds
  • Binding: Paperback
  • 624 pages
Features
  • Used Book in Good Condition

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2 of 2 people found the following review helpful.
very good book
By KENNETH L. COGDELL
this is a very good book it's a true story about the things that happened in my own hometown, and I'm sure it has happened elsewhere.

1 of 1 people found the following review helpful.
Fantastic read!
By DGB12
What a book! Anyone entering the industrial work force should read this! It is hard to believe all the things that went on in this operation. From horseplay to the working with hazardous material, management cover-ups and much more! I am shocked this place lasted as long as it did and did not kill all the people in the surrounding areas!

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Enjoyed it thoroughly.

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Minggu, 15 Maret 2015

[H255.Ebook] Fee Download IT Interview Questions: A Primer For The IT Job Interviews (Concepts, Problems and Interview Questions), by Narasimha Karumanchi

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IT Interview Questions: A Primer For The IT Job Interviews (Concepts, Problems and Interview Questions), by Narasimha Karumanchi

Table of Contents:�goo.gl/1odR7QSample Chapter:�goo.gl/j7qc2j
SALIENT FEATURES OF BOOK

  • Provides insight into what drives the recruitment process and what an interviewer looks for while interviewing an engineering student
  • Covers concepts, problems, and interview questions for each topic
  • Covers latest buzzwords like Cloud Computing, Virtualization, Big Data, and many more
  • All the concepts are discussed in a lucid, easy to understand manner
  • A reader without any basic knowledge in computers can comfortably follow this book

Coders/Programmers are in demand, but to land the job, you must demonstrate knowledge of those things expected by today's employers. This guide sets you up for success. Not only does it provide the most commonly asked interview questions and answers, but it also offers insight into the interview process in today's marketplace. This book is a comprehensive guide for experienced and first-time programmers alike.�
The book is specifically designed for freshers, who despite being brilliant at the technical aspects of the interview, tend to fail when it comes to soft skills and HR interviews. The book provides readers with a relevant blueprint when it comes to planning for pre-interview preparation. It provides candidates with guidelines on the preparation of their resumes and the format that should be followed.
Table of Contents
  • Organization of Chapters 17
  • Getting Ready 22
  • Group Discussions 37
  • Operating System Concepts 54
  • C/C++/Java Interview Questions 81
  • Scripting Languages 157
  • Bitwise Hacking 194
  • Concepts of Computer Networking 203
  • Database Management Systems 256
  • Brain Teasers 271
  • Algorithms Introduction 274
  • Recursion and Backtracking 285
  • Linked Lists 290
  • Stacks 322
  • Queues 336
  • Trees 345
  • Priority Queues and Heaps 397
  • Graph Algorithms 407
  • Sorting 417
  • Searching 441
  • Hashing 466
  • String Algorithms 473
  • Algorithms Design Techniques 479
  • Greedy Algorithms 482
  • Divide and Conquer Algorithms 486
  • Dynamic Programming 489
  • Basics of Design Patterns 496
  • Non-Technical Help 505
  • Quantitative Aptitude Concepts 511
  • Basics of Cloud Computing 524
  • Miscellaneous Concepts 539
  • Career Options 559
    • Sales Rank: #1836575 in Books
    • Published on: 2014-04-16
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.00" h x 1.28" w x 7.00" l, 4.70 pounds
    • Binding: Paperback
    • 564 pages

    From the Author
    Coders/Programmers are in demand, but to land the job, you must demonstrate knowledge of those things expected by today's employers. This guide sets you up for success. Not only does it provide the most commonly asked interview questions and answers, but it also offers insight into the interview process in today's marketplace. This book is a comprehensive guide for experienced and first-time programmers alike.�
    The book is specifically designed for freshers, who despite being brilliant at the technical aspects of the interview, tend to fail when it comes to soft skills and HR interviews. The book provides readers with a relevant blueprint when it comes to planning for pre-interview preparation. It provides candidates with guidelines on the preparation of their resumes and the format that should be followed.

    About the Author
    Narasimha Karumanchi�works at Amazon Corporation, India and is a senior software developer by profession. He has earlier worked for IBM labs, Mentor Graphics, and Microsoft.
    He has�founded�CareerMonk, and is regular contributor to StockMonks, where he designs algorithms. He also submitted�patents�(still under progress).�
    He�authored�the following books (few of these got�translated�to international languages: Chinese, Japanese, Korea and Taiwan).
    � �Data Structures and Algorithms Made Easy� �Data Structures and Algorithms Made Easy in Java� �Data Structures and Algorithms Made Easy for GATE� �Peeling Design Patterns� �Coding Interview Questions� �IT Interview Questions� �Data Structure and Algorithmic Thinking with Python� �Elements of Computer Networking
    Narasimha�did his M.Tech. in computer science from IIT, Bombay, after finishing his B.Tech. from JNT university. He has also taught data structures and algorithms at various training institutes and colleges.�

    Most helpful customer reviews

    34 of 36 people found the following review helpful.
    Data structures & C Refresher pedagogically oriented with great examples
    By Konstantinos Economist
    Great buy. excellent exposition of every chapter with easy to understand examples of code in c mainly and thorough analysis of difficult concepts. It includes a broad coverage of algorithms that are asked in interview questions without the unneccesary math that includes a graduate course in the university.it is useful for students and graduates alike as a refresher.

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    Jumat, 27 Februari 2015

    [V680.Ebook] PDF Ebook Landscape and the Ideology of Nature in Exurbia: Green Sprawl (Routledge Studies in Human Geography)From Routledge

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    This book explores the role of the ideology of nature in producing urban and exurban�sprawl. It examines the ironies of residential development on the metropolitan fringe, where the search for “nature” brings residents deeper into the world from which they are imagining their escape—of Federal Express, technologically mediated communications, global supply chains, and the anonymity of the global marketplace—and where many of the central features of exurbia—very low-density residential land use, monster homes, and conversion of forested or rural land for housing—contribute to the very problems that the social and environmental aesthetic of exurbia attempts to avoid. The volume shows how this contradiction—to live in the green landscape, and to protect the green landscape from urbanization—gets caught up and represented in the ideology of nature, and how this ideology, in turn, constitutes and is constituted by the landscapes being urbanized.

    • Sales Rank: #3759138 in eBooks
    • Published on: 2013-05-07
    • Released on: 2013-05-07
    • Format: Kindle eBook

    About the Author

    Kirsten Valentine Cadieux is a Research Associate in the Departments of Sociology and Geography, Society and Environment�at the University of Minnesota.

    Laura Taylor is an Assistant Professor in the Faculty of Environmental Studies at York University.

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    [U657.Ebook] PDF Download The Passover Haggadah, by Rabbi Yosef Marcus

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    The Passover Haggadah, by Rabbi Yosef Marcus

    With Commentary from the Classic Commentators, Midrash, Kabbalah, the Chasidic Masters
    and the Haggadah of the Lubavitcher Rebbe
    Authored & Translated by: Rabbi Yosef Marcus

    Year after year we gather with family and friends for the traditional Passover Seder and reading of the Haggadah. Often times, the meaning behind the myriad of details accompanying the seder are lost to us as we make our way through the Four Questions, the four cups of wine, the matzoh and the bitter herbs and read the ancient words of the Haggadah.

    In the new Passover Haggadah layer after layer of meaning is uncovered as the dynamic text provides meaning and inspiration culled from all levels of Torah interpretation.

    In addition, a powerful message of immediate relevancy to our own lives is fleshed out and presented in an engaging and moving way.

    Compiled by well-known author and translator Rabbi Yosef Marcus, the volume gives the reader a comprehensive and fundamental understanding of the Seder and the festival of Passover. Anthologized from hundreds of commentators, classic to obscure, the commentary is crowned with the insights culled from the classic Haggadah of the Lubavitcher Rebbe.

    Set in elegant, two-color type with lively, original artwork, and printed in a deluxe gift edition, the Haggadah sets a new standard for beauty, clarity, comprehensiveness and relevance.

    The new Haggadah will sparkle on your Seder Table and will be the subject of conversation of friends and family as the beauty of Passover and its eternal messages come alive in this monumental work.


    The Passover Haggadah features:
    Unique interpretive translation
    In-depth analysis of the mitzvot & customs
    Informative notes for beginners
    Adaptation of the Lubavitcher Rebbe`s Haggadah including sections translated for the first time
    Insight from all Chabad leaders, many translated for the first time
    Vast collection of commentaries, indicated by beautiful source icons
    Reader-friendly design with instructive visual graphs and original artwork

    Authored & Translated by: Rabbi Yosef Marcus

    Year after year we gather with family and friends for the traditional Passover Seder and reading of the Haggadah. Often times, the meaning behind the myriad of details accompanying the seder are lost to us as we make our way through the Four Questions, the four cups of wine, the matzoh and the bitter herbs and read the ancient words of the Haggadah.

    • Sales Rank: #2313087 in Books
    • Published on: 2011-01-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.30" h x .90" w x 7.30" l, 1.64 pounds
    • Binding: Hardcover
    • 134 pages

    Review
    The Kehot Society Passover Haggadah is deep, complete, and lively with Hasidic Lore. A fine volume. --Herman Wouk

    Superbly translated with original commentary by Rabbi Yosef Marcus, "The Passover Haggadah" is ideal for family use to enhance the experience of a traditional Passover Sedare. Of special note are the passages in the original Hebrew that accompany the English text revealing the relevancy and timeless value of the Sedar Table. An especially beautiful edition, "The Passover Haggadah" offers an impressive volume of citations and quotations from hundreds of commentators ranging from antiquity to the present, from the obscure to the famous. Enhanced with original artwork and thoroughly `user friendly, Rabbi Yosef Marcus` "The Passover Haggadah" is confidently recommended for personal, family, and academic library Judaic Studies reference collections in general, and Passover celebrations in particular. --Midwest Book Review

    This work is as beautiful in its contents as it is in its appearance. It is comprehensive both in explaining Pesach and the Hagaddah, highly insightful and thought-provoking in its commentary, and aesthetically so appealing as it leads you to insights drawn from Kaballah and Chassidus and the entire range of the Jewish tradition. And, for the more scholarly inclined, the 364 footnotes will draw you even more deeply into the study of the Seder, the Jewish people`s most widely celebrated ritual. --Joseph Telushkin author of Jewish Literacy and A Code of Jewish Ethics

    About the Author
    Edward Ben Avram (born 1941) Ben Avram was born in Bombay in 1941 and immigrated to Israel in 1956. He studied in Bezalel Academy of Art in Jerusalem and trained under the top Israeli Art professors Jossi Stern and Jona Mach. He stood out in the Academy as an artist who managed to bring together east and west, the Eastern tradition of his parents home and the Western tradition of painting taught at Bezalel. Ben Avram set up his first studio in Meah She'arim in Jerusalem in 1964. The mixture of the surrounding ultra orthodox environment together with Ben Avram's secular approach created the most amazing paintings full of Jewish mysticism and symbolism yet colorful and joyful. Between 1964 and 1978 Ben Avram showed his artworks in numerous shows in Canada and the USA. In 1977, he had a one-man show in Safrai Gallery in Jerusalem. Between 1981 and 1985 his artworks were shown both at the Art Expo in New York Los Angeles. Collection in Israel: Israeli Prime Minister's home, Israeli Prime Minister's Office, Jerusalem Municipality. Currently Ben Avram lives in Jerusalem and his artworks are shown at the Blue and White Art Gallery in the Old City

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    Selasa, 17 Februari 2015

    [O856.Ebook] Ebook Free When All Is Not Well: Depression and Sadness - A Yogic Perspective, by Om Swami

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    When All Is Not Well: Depression and Sadness - A Yogic Perspective, by Om Swami

    I've heard so many people tell those who suffer depression to just "cheer up." I wonder if they really believe that it’s that simple. Depression isn't just sadness. It is emptiness, it is misery. It is pain and nothingness at once. When you are truly depressed you lack the ability or will to cheer yourself up. No one just “has depression.” You suffer from it. Even with all our scientific advances, depression remains one of the most mysterious mental illnesses. Anti-depressants don’t work for everyone just like meditation and vacations don’t work for many others. Ayurvedic and yogic texts dating as back as 5000 years called depression, vishada, a toxic state of mind. In this profoundly insightful work, Om Swami categorizes depression into three types to help you see how a different approach is needed to cure each type. Beautifully woven with soul-stirring case-studies and yogic wisdom, you will gain a new perspective on depression and sadness.

    • Sales Rank: #358053 in Books
    • Published on: 2015-07-14
    • Original language: English
    • Dimensions: 8.50" h x .51" w x 5.50" l,
    • Binding: Paperback
    • 202 pages

    About the Author
    Om Swami is a mystic who lives in the Himalayan foothills. An advanced yogi, Swami did thousands of hours of intense meditation in complete seclusion in Himalayan caves and woods. Prior to renunciation, he founded and ran a multi-million dollar software company with offices in San Francisco, New York, Toronto, London, Sydney and India. An Australian national of Indian origin, Swami completely renounced business interests a few years ago to pursue a full-time spiritual life. Om Swami has a bachelor’s degree in business and an MBA from Sydney, Australia. You can connect with him on his blog, omswami.com, read by millions all over the world.

    Most helpful customer reviews

    8 of 8 people found the following review helpful.
    A Very Well Thought Out, Very Well Scientifically Researched, & Impressively Well Written Book!
    By B Jhala
    Everyone, undoubtedly, has to face Depression at some point of time in their life. No exception to that. Rather stressing out about Depression or getting frustrated with it, it's 100 times wise to deal with it. But a million dollar question is how one can deal with it? Aid of antidepressants, medicines, even meditation and yoga gives a very little result or temporary feel good effect sometime, or doesn't give the exact same result in every case!

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    The book presents the understanding of Depression, the uniqueness of each cases and offers varieties of solution to deal with it. Yes this book covers the real life case studies from across the cultures to make it all inclusive.

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    Thanks.

    6 of 6 people found the following review helpful.
    Addictive narrative,“When all is not well” will transform completely the stigma that surrounds the depression.
    By GE
    This marvelous book “When all is not well” accompanies the readers to discover genuine findings by themselves. The clever, sincere and contemporary perspective of Om Swami who understands very well this complex world, reveals several answers by more natural and practical approaches to overcome the depression in the long term and for this I mean not temporary.
    In addition to his innate vast wisdom (erudite in ancient Indian philosophy) Om Swami led a serious research about the physiopathology and biochemistry of depression, translated it in a pleasant narrative that introduces different viewpoints in a very objective and respectful way regarding traditional medicine, allowing people from diverse backgrounds to get a better understanding of the elements implied on developing depression.
    Regardless if you have been exposed yourself or you know someone (could be relatives or strangers who has been depressed) thanks to the addictive rhythm of this precious book, it will make you feel related with the persons described on the cases. It moved me deeply to the tears I felt instantaneously compassion and empathy for each one of them.
    I have been the witness of Om Swami’s healing voice and the power of his encouraging words. His unlimited compassion and unconditional love to all those who need him the most!
    No matter if you are a self-employed, a householder, a successful business person, or a health care professional, this invaluable book definitely will expand your preconceived vision about depression, since it can reach everyone, at anytime, regardless races, socio-economical level, education, gender, “When all is not well” will transform completely the stigma that surrounds the depression.

    6 of 6 people found the following review helpful.
    A Masterpiece! Do yourself a favor by reading it!
    By Uma Ramachandran
    Yet another masterpiece by Om Swami. Extraordinary! Swami’s writing style is very clear, touching and addictive. I couldn’t put the book down until completion. His years of experience working with depressed people clearly shows through in his words. This is a must read for everyone (no matter who you are, whether you had depression or not).

    Having been a victim to this demon called Depression, I stand testimonial to Om Swami’s healing touch. His loving and empathic words worked magic on me. He made me feel wanted in what felt like a wicked world. This book moved me to tears because I could relate to each one of those stories. A deep sense of compassion touched me triggering a desire to spread awareness about depression. It’s a condition that you don’t want even your enemy to experience.

    This book, written from a Yogic perspective, has the potential to change, rather save lives. I’m planning to gift this book to everyone I know who needs help. Please do yourself and your loved ones a favor by reading this book.

    See all 24 customer reviews...

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    Senin, 16 Februari 2015

    [Z705.Ebook] Fee Download Waves of Democracy: Social Movements and Political Change, Second Edition, by John Markoff

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    Waves of Democracy: Social Movements and Political Change, Second Edition, by John Markoff

    The second edition of this classic text covers contemporary democracy movements including the Arab Spring and its aftermath, Occupy, and new nations as well as old issues from the Balkans to Africa, from Latin America to Ukraine. The author has traveled widely around the world to take the pulse of transition and to profile journeys toward democracy and journeys away from democracy, too. At the same time, the book addresses important challenges that have emerged in even well-established democracies. These show up in declining voting rates, diminished membership in political parties, and, in some countries including the United States, negative views of central democratic institutions (like the US Congress).

    • Sales Rank: #4228576 in Books
    • Published on: 2014-12-30
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.02" h x .56" w x 5.98" l, .0 pounds
    • Binding: Hardcover
    • 242 pages

    Review

    "A great book with a very useful blend of sociological and historical insights, appropriate for both undergraduate and graduate classes."
    -- Miguel Carter, American University

    "A distinct and unique book, the perfect size and price for a supplementary text."
    -- Markus Kreuzer, Villanova University

    "A very welcome new edition."
    -- Gerardo L. Munck, University of Southern California

    About the Author
    John Markoff is Professor of Sociology and History at the University of Pittsburgh.

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    Sabtu, 14 Februari 2015

    [U539.Ebook] Free PDF The Redneck Manifesto: How Hillbillies, Hicks, and White Trash Became America's Scapegoats, by Jim Goad

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    The Redneck Manifesto: How Hillbillies, Hicks, and White Trash Became America's Scapegoats, by Jim Goad

    Culture maverick Jim Goad presents a thoroughly reasoned, darkly funny, and rampagingly angry defense of America's most maligned social group - the cultural clan variously referred to as rednecks, hillbillies, white trash, crackers, and trailer trash. As The Redneck Manifesto boldly points out and brilliantly demonstrates, America's dirty little secret isn't racism but classism. While pouncing incessantly on racial themes, most major media are silent about America's widening class rifts, a problem that negatively affects more people of all colors than does racism. With an unmatched ability for rubbing salt in cultural wounds, Jim Goad deftly dismantles most popular American notions about race and culture and takes a sledgehammer to our delicate glass-blown popular conceptions of government, religion, media, and history.

    • Sales Rank: #64783 in Books
    • Published on: 1998-05-05
    • Released on: 1998-05-05
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.44" h x .70" w x 5.50" l, .53 pounds
    • Binding: Paperback
    • 272 pages
    Features
    • Sociology
    • How Hill-Billies, Hicks and White Trash Became America's Scapegoats
    • The Redneck Manifesto
    • Jim Goad

    From Booklist
    Angry white male or astute social critic? Whichever, Goad (he's not using a pseudonym, is he?) bellows a primal scream in defense of white working-class wage serfs. There is not a meek, mealy-mouthed word in this tract, so readers had better strap themselves in if they recoil from cussing, epithets for every blankety-blank group under the sun, or chapter titles such as "Several Compelling Arguments for the Enslavement of All White Liberals." This tract is so hyperbolic, so vitriolic, so viciously funny, so unrestrained, that its sheer outlandishness might indicate that Goad is just venting a sustained satire. But his harangue is in earnest, a high-decibel diatribe agin' big gummint, high taxes, big business, and the media reiteration of (white) racism as the metaexplainer of what's wrong with America. Moreover, Goad's book will not go quietly, as it is a politically unclassifiable polemic sure to humor, or offend, or enrage library patrons, in equal measure. Gilbert Taylor

    From Kirkus Reviews
    An often reactionary diatribe on reverse discrimination by the editor of the 'zine Answer Me!, redeemed in large part by its author's phenomenal sense of humor. Goad disavows both the political right and left, but he's most likely to be tagged as a conservative. He's most lucid when characterizing the centuries-old race struggle in our country as a smokescreen for what should really be a class struggle. The poor have been enslaved, persecuted, and exploited by the upper class regardless of skin color, Goad maintains. That words like ``redneck'' and ``white trash'' are deemed acceptable while the ``N-word'' is not is proof that as Americans, by and large, we have been duped by rich folks into playing the race card. The author is at his best when using humor to elucidate a point, as when he argues that both black slaves and some disenfranchised whites were cheated and lied to by society in the same manner. Ex-slaves were offered 40 acres and a mule (which they never saw); whites in 18th- century America who had been bonded servants (in effect, white slaves) were promised ``two suits, an ax, and two hoes.'' The hoes, ``we are to presume, were gardening tools instead of prostitutes, unless `weeding' and `grubbing' were sexual euphemisms in colonial America.'' Goad's astute command of history and his sharp wit make for a volatile combination, and one that could be misread. A truly bigoted reader may take Goad's remarks about Lincoln not really intending to free the slaves, or about there being other Holocausts besides the Jewish one, out of context and use them to buttress their racism or anti-Semitism--views that Goad clearly does not sympathize with. But, of course, ideas that have value are also often dangerous. While Goad's defense (and overview) of redneck culture past and present is sure to infuriate the liberal reader, he is also likely to make that same reader laugh ruefully, and often. -- Copyright �1997, Kirkus Associates, LP. All rights reserved.

    Review
    Rod Dreher Fort Lauderdale Sun-Sentinel A furious, profane, smart and hilariously smart-aleck defense of working-class white culture.

    Crib Magazine In another life, this book was a U-Haul packed to the gills with manure and TNT, left idling near a major government building, or a Smokecraft beef jerky-sponsored monster truck revved and ready to roll over the stuccoed suburban palace where Jeff Foxworthy sleeps.

    PDXS A funny, engagingly written polemic....Goad should be congratulated and thanked for cutting through the numerous taboos that prevent an honest discussion of race in this country.

    Ethan G. Machado Our Town Dares to rewrite American history, take on government greed and lambaste white liberals....Goad's eight-cylinder prose intentionally rattles the reader, driving home a message that challenges the conventional wisdom of many a Honda Accord owner.

    Most helpful customer reviews

    88 of 93 people found the following review helpful.
    The class war is coming. Get in on the ground floor.
    By Robert Beveridge
    Jim Goad, The Redneck Manifesto (Simon and Schuster, 1997)

    Three years before the publication of The Redneck Manifesto, Jim Goad was self-releasing the magazine ANSWER Me! on his own press, Goad to Hell Publications (who also published Peter Sotos' first collection, one of the only books I know of that was actively suppressed before being challenged through official channels), and standing trial for obscenity for issue #4. Fast-forward to 1997, and he's getting a hardback first-printing for a book I wouldn't have thought a major publisher would touch with a ten-foot pole.

    Maybe there IS some small hope for the world.

    That, ultimately, is what The Redneck Manifesto is about-- hope. Most people probably won't figure that out from reading it, though.

    The Redneck Manifesto is a two-hundred-fifty page rant, I grant you, but it is a savagely intelligent, well-researched, and downright laugh-out-loud funny rant, and like all the best rants throughout history, it has at its core both a simple truth, that the redneck is the last subsection of American society against which it's permissible to be prejudiced, and a solution to that truth, which in this case is that the rednecks, and the people who oppress the rednecks, have a common enemy who has manipulated them into being enemies.

    This is nothing new, of course. The power elite have been manipulating segments of the great unwashed against each other throughout human history. They're still doing it. (The Israelis and the Palestinians, anyone? The Orange Irish and the Green Irish? Shiites and Sunnis? The Tutsi and the Hutu? We could keep going like this all day.)

    Goad has a plan to get everyone clear-headed, but to say it's confrontational would be understating the case somewhat. His thrust in the first segment of the book is to make you aware that the word "redneck" is as much a slur as are many other words that we recognize as slurs now (and are thus unprintable in an Amazon review), and he does so by using them. A lot. For most people, there's going to be a shock factor, though it's surmountable-- especially if you're paying attention to what Goad is driving at.

    From there, he launches into a very well-researched history of the redneck, which further clarifies a point he made in the beginning: that the modern redneck, contrary to popular wisdom, is not the architect of American race-hatred; quite the opposite. It's the book's most "scholarly" section, but it still reads like a rant, and that's a wonderful thing.

    After that, three chapters on the culture of the redneck. It should be no surprise to those who know Goad's work that they come off kind of like a rapper telling N-word jokes; "it's okay, because I'm a member of the oppressed group." There's more to it than that, though; Goad is a misanthrope more than he is a redneck, and you can't just turn off the jaundiced-eye filter. This, ultimately, is what gives the book its highest street-cred marks; Goad doesn't make the same mistake other oppressed-minority writers do in confusing a desire for equality with a desire for revenge. He's not talking about the redneck rising supreme to put its boot on the neck of any other oppressed minority, he's talking about all of them, with all their many faults, rising up as one to overthrow The Man.

    The book concludes with a strenuous, energetic dissection of those groups who really need to be brought down with extreme prejudice. If you don't get fired up after reading the chapter on the banking industry, pal, check your pulse.

    This is an important piece of work, and it's especially relevant in the post-2004-election atmosphere of restless natives presently pervading the country. If you're breaking your back for The Man, be you white collar, blue collar, no collar, redneck, black neck, white neck, jobless, homeless, whatever, read this book. It is, potentially, a life-changing experience. *****

    84 of 94 people found the following review helpful.
    Razor Sharp
    By Jeffrey Leach
    If you decide to read this book, you are in for a major treat. This is a book unlike any other. As I read the book, I kept wondering how it ever got published. Jim Goad is one angry redneck, to be sure. His goal is to show how poor white trash has become the only acceptable scapegoat left in this country. Along the way, he rides roughshod over every type of politically correct supposition known to man. Goad doesn't care a whit about whiny blacks or liberal do-gooders. He doesn't give a fig about conservatives with their big-business loving mentality, either. Goad is concerned with one thing: the mistreatment of people, regardless of their skin color.
    Goad reduces the ills of poor white trash to one simple formula: economic exploitation by the wealthy. Goad believes that the rich, throughout history, have consistently played off classes against each other in order to maintain their privileged status. The recent black vs. white warfare is just the latest incarnation of this exploitation. Goad disproves the widespread belief that blacks suffered alone. The majority of whites in America got here as indentured servants, many of whom were kidnapped and tossed on a boat against their will. America also served as a dumping ground for poor white criminals. The indentured servants were often treated worse than black slaves. Owners of indentured servants knew that they only had a limited amount of time to exploit these white slaves, so they worked them to a frazzle. Goad cites statistic after statistic to show that the vast majority of whites had it as bad, if not worse, than blacks.
    Most of the book concerns razor sharp insights into white trash values. Goad looks at Elvis, Bigfoot and snake hugging Christians and sees within them new religions of the trash class. Militias and conspiracy addicts are also examined and shown to have somewhat of a basis for their paranoia. Probably the best part of the book, in my opinion, is when Goad describes a night out on the town in a poor white bar. His observations on the denizens of this bar are hilarious and sad at the same time. Most of the time that is the charm of this book: it is thigh-slapping funny. I would love to quote to you some of the witty aphorisms contained in this book, but I can't because they are so obscene. If you are not a fuzzy-wuzzy liberal, you'll laugh at this gem of a book too. After reading this book, I'm sure my reparations check is only a trip to the mailbox away. Highly recommende

    73 of 82 people found the following review helpful.
    Er...well...um...y'see...
    By mister big
    ...basically, I think Goad's put his finger on something very real and important; being a working-class white male myself, I must confess to turning one or another shade of crimson (and not just on my neck) whenever I hear some rich, Harvard-educated, brownstone-dwelling, cigar bar-frequenting, cappucino-sipping (and usually lily-white) "limo-lib" lovingly preserving his (or her) most cherished Archie Bunkerian stereotypes about us blue-collar slobbereenies. But I think there's a huge difference between pointing out the hypocrisies and rhetorical excesses of overclass pseudoradicalism and making a sweeping dismissal of the entire liberal enterprise. Goad has hit upon one of the most neglected truths in American society: racism, sexism, homophobia, and other leftist bugaboos notwithstanding, class is by far the biggest and most entrenched of social dividers. But rather than use this insight as a springboard for a more class-conscious approach to positive social change, Goad chooses (and seemingly encourages his readership to choose) to retreat into a world of political apathy, unrelenting self-pity, and perverse "pride" in some of the more tragic manifestations of trailer-park poverty. He sees his earlier attempts to improve his socialeconomic footing as not only futile (which may or may not be true) but also as somehow a betrayal of his heritage (which, I'm sorry, is just plain pathetic; it's like the ghetto-dweller who attacks his "overachieving" neighbors as "acting white.") The last thing the poor of any race need, however, is to embrace their poverty as a badge of honor. For a more thoughtful (and far less vitriolic) consideration of many of the same issues, I would suggest "The Revolt Of The Elites" by Christopher Lasch.

    See all 131 customer reviews...

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    [M100.Ebook] PDF Ebook The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton

    PDF Ebook The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton

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    The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton

    The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton



    The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton

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    The Penguin Guide to Recorded Classical Music 2009, by Ivan March, Edward Greenfield, Robert Layton

    This completely revised edition of the Penguin Guide reviews the major classical recordings issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before and now updated annually, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and assessed in these pages. Ranging from long-established recordings to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.

    • Sales Rank: #193681 in Books
    • Published on: 2008-11-25
    • Released on: 2008-11-25
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.16" h x 2.46" w x 6.94" l,
    • Binding: Paperback
    • 1602 pages

    Review
    Indispensable, illuminating and comprehensive The Times An indispensable and comprehensive survey. Anyone who wants to make sense of all the rival versions of classical music available on CD will find a great deal of illumination The Times More valuable than ever to any serious collector of classical music Wall Street Journal The bible for the discriminating record collector Daily Telegraph

    About the Author
    Ivan March is a well-known lecturer, journalist and writer in the world of recorded music. He lives in London, SW6. Edward Greenfield was for forty years on the staff of the Guardian and is a regular BBC broadcaster. He lives in London, E1. Robert Layton is a journalist and broadcaster. He lives in London, NW6. Paul Czajkowski is a music writer. He lives in London.

    Most helpful customer reviews

    150 of 154 people found the following review helpful.
    3.5 stars -- continued slippage but good news for DVD fans
    By Larry VanDeSande
    I've owned the Penguin Guide continuously since 1984 and the 2008 version is about the tenth edition I've purchased. I've seen this guide go from having no competition to having some competition to being a model to be copied by the likes of the All Music Guide, Rough Guide to Classical Music, Third Ear Classical Music and the annual compendium of reviews Gramophone magazine puts together and markets under the moniker Gramophone Classical Music Guide 2008 (AKA Classical Good CD, DVD, & Download Guide)

    In all this time, no other guide has continuously challenged the Penguin Guide's leadership in relating what's new and different in the universe of recorded classical music. Third Ear came closest but published only one edition in 2000. Today, the Penguin Guide is still the best at what it does but, based on my review of the 2008 edition, it is changing its ways and is slipping a bit behind the classical music industry.

    I say it is slipping because the 2008 edition is hardly representative of the greatest recordings that have been issued since the last edition was published in 2005. Two significant historical events occurred in 2006 -- the Shostakovich centenary and the 250th anniversary of Mozart's birth. Both birthdays generated scores of new recordings, probably more for Shostakovich than in any single year ever before. They covered one of these celebrations pretty well in their pages but didn't do so well in the other.

    The new Penguin Guide did best representing the reams of new Shostakovich recordings that came out that year. The 2008 tome includes discussion on the super audio cycle of symphonies from Kitaenko on Capriccio, the excellent DVD "Shostakovich vs. Stalin: The War Symphonies", and lists as its No. 1 version of the "Leningrad" symphony the super audio version by Hofman and the Beethoven Orchestra of Bonn on MGD. This even though it did not include a single listing of the series of Shostakovich symphonies being delivered by Caetani and the Verdi Orchestra of Milan.

    They didn't cover the ground on Mozart's birthday so well, however. I looked for listings of my two favorite Mozart CDs released in 2006 -- Paul McCreesh's dynamic and dramatic reading of the Great C Minor Mass on Archiv and Peter Neumann's SACD recording of the Missa Solemnis and Vesperae Solennes on MGD -- and neither were included. The Penguin Guide listed two of Neumann's older Mozart choral recordings but missed the newer super audio job that was hailed by critics worldwide. I was astonished to find only three listings of CDs of the C Minor Mass and an addiitional one on CD. Surely this masterwork deserves greater representation than the inadequate listing of performances by Karajan, Gardiner and Herreweghe!

    In fact, the more I looked, the more I found great recordings issued between guides not represented. To offer a short list, here are a few:

    -- No new collections of either Bach's 6 Partitas for keybard or complete recordings of Beethoven's 32 Piano Sonatas even though Seattle professor Craig Sheppard recorded both to much critical accalim during the period.

    -- No listing of Jos von Immerseel's recording of Ravel's Bolero, Concerto for the Left Hand, Rhapsodie Espanol, Pavane pour unde infante defunte and La Valse that BBC Music Magazine designated its album of the year for 2006.

    -- No listing of the Abbado-Berlin Philharmonic reading of the Mahler Symphony No. 6 that Gramophone called its recording of the year for 2006.

    -- No listing of the Rattle-Berlin Philharmonic recording of Gustav Holst's "The Planets" and four other insterstellar pieces of music that raised some eyebrows. It wasn't the greatest recording of the music but the Penguin Guide otherwise seems to find room to include every other recording from Englishman Simon Rattle.

    The fact that the Penguin Guide is now more a collection of old favorites than ever before is most aptly demonstrated in the Mahler section. In the 11 pages covering his 10 symphonies, I counted only 6 new recordings from the past edition and not one of them is really new -- they are all older recordings either seeing first light (Solit-Chicago Symphony 1 on Decca and Bernstein-Vienna Philharmonic 5 on DG) or re-recordings of older recordings (Hatink-Concertgebouw 8 on a PentaTone SACD issue). With a half-dozen Mahler cycles in progress the past few years, this seems short shrift indeed as a recommendable section.

    Meanwhile, most of a decade removed from the Bach birthday in 2000, the 2008 Penguin Guide is still carrying every listing of the complete Bach cantata recordings by Harnoncourt-Leonhardt, Koopman, Suzuki and Gardiner -- twice! -- with notations for the Gardiner recordings on both Archiv and the Soli Deo Gloria series. To complete my list of what I perceive as debits in the new edition, the text is more difficult to read. The text size appears to be about the same (small) but italicized headers in much larger type (and a different text face) and boxes around what the book calls its "key" recordings more distracted than assisted me.

    Some changes for 2008: The editors seem to have changed their concept a bit this time, too, by not listing every recording they talk about in text. In other words, their ongoing discussion may include recordings not listed in the headings, so keep reading to see if your favorite is there. The editors made another change -- the Penguin Guide now uses a 4-star rating system. It had always been a 3-star system until this edition. They do not address this in the text so I can't say why this happened.

    I have concentrated on demerits but there are improvements in the new edition. The Penguin Guide caught a few recordings I thought might slip under its radar including a wonderful 2006 recording of Offenbach's Concerto Militaire by Pernoo and Minkowski. In addition to representative coverage of the Shostakovich year the new Penguin Guide has made a concerted effort to cover a much wider range of DVD this time, especially those for opera and sacred music. The Beethoven symphony section has nearly as many DVD as CD listings. They tend to list these in this way, always scrupulously listing the DVD director:

    Wagner: Tristan und Isolde (complete; DVD version)
    Wagner: Tristan und Isolde (complete: CD version)

    It still has over 1,500 pages and lists most composers famous and not so famous. I think the bottom line is people that don't subscribe to critical review magazines or do not closely follow Internet review mechanisms, and look for one guide to cover the entire industry, will probably benefit by acquiring this book. Yet, perhaps the greatest demerit of this guide is that, if you don't record on a major label or on Naxos, you don't have much chance of being included in this book. For those of us that follow the industry closely, the new Penguin Guide demonstrates, more than ever before, its inability to keep up with what's going on with the hundreds of new recordings released every month.

    54 of 56 people found the following review helpful.
    The Guide has seen better days
    By MartinP
    Over the years, I have found the Penguin guide a useful reference for getting an idea of available recordings of a particular piece, and some kind of general idea of their respective merits. This latest edition, however, seems to have become too selective. Where earlier editions often seemed to list all serious contenders for a work, this one is much more limited, for instance listing no more than four recordings of Sacre du Printemps (including neither of my favourites, Chailly and MTT). For some works you may not find a listing at all (e.g., Zemlinsky's Seejungfrau). This is a pity, because this way the Penguin guide looses its main advantage over the Gramophone Good CD Guide, that has always been far more selective, and in my opinion is the more reliable source when it comes to aesthetic judgment. (E.g, the Penguin continues to list the inadequate and incomplete Kliegel as a serious recommendation for Kodaly's cello solo sonate, but doesn't bother to mention Claret or Wispelwey).

    Also, recordings are listed that are no longer available (eg., the Abbado Gurrelieder).

    The rating system has acquired several new features that will guarantee utter confusion. Three stars used to be the top, but now exceptional recordings can get four. But that isn't all, exceptional recordings can also still get the familiar rosette, and moreover can be qualified as a `key' recording, identified with a little key-symbol. What all this means is completely mysterious. There are four-star recordings with an without rosettes; three-star recordings with a rosette while four-star competition goes unrosetted; there are rosette-recordings that are key and others that aren't; and key recordings may be rated anything from two and a half to four stars. Strangely, too, for some works numerous key recordings are listed, which makes one wonder what makes them 'key'. It is nonsense to pretend music criticism is an exact science, and this fussy rating system is off the mark.

    I wish the ample lay-out of headers and the boxes denoting key recordings had been dispensed with to allow more room for listing additional recordings.

    For those wanting a general and extensive entrance point to the classical CD and DVD market, this guide will be useful nonetheless, and it has always been an interesting tome to thumb through, if only to check your own preferences against those of these self-styled musical gurus.

    29 of 30 people found the following review helpful.
    Flawed, but I am ADDICTED!
    By R. Nadel
    The Penguin Guide has changed only slightly over the years. I am sitting here looking at my first Penguin Stereo Record Guide from 1975 in hard back (small format, though). Back then I was wrapping up post-grad college, working in a large music store as Classical buyer, and the Guide was unquestionably the most respected and authoritative summary of classical music records that could be held in one hand. 1114 pages, quaintly including reviews of the Beatles' albums (influenced perhaps by Deryck Cooke?) comparing them to Stockhausen and Boulez and furthermore identifying George Martin as their Walter Legge (for the younger set, Legge was something of a genius classical/opera producer for EMI particularly after the war).

    It's true the Penguin Guide is flawed, that editorial gaffs persist, like non sequitur junk DNA accumulating over the evolutionary millennia. It is true that the rating system is ambiguous and redundant on its face. It's true that a few recordings are reviewed in the body text without their names appearing in the recordings list for a particular piece. It's true that some albums listed are out of print and other, worthy titles in print do not appear anywhere. It's true that it is not comprehensive. But all those weaknesses taken together amount to little more than annoyance, unless you really expect a single volume can satisfy the range of classical music consumers from novice to devoted long hair music buffs.

    It is still the most readable, fun, unputdownable single volume reference Guide. From the first, this Guide has given me a developing vocabulary in what differentiates classical music performances and recordings. It has shown me titles I would never have known about. The consistency of their approach allows me to compare my tastes to theirs, and adjust accordingly.

    But something important is changing, I think.

    My copy of this latest volume has over 1550 pages in large format and bears the telling subtitle "The Perfect Guide to Building Your Classical Collection". The subtitle has changed several times from no subtitle, to "The Guide to Excellence in Recorded Classical Music", to "The Key Classical Recordings on CD, DVD, & SACD", and now "The Perfect Guide to Building...". These volumes are essentially the same in content and style yet the subtitles changed. Why?

    Put simply, the world around them has changed dramatically. The number of boutique labels is growing, adding to the mass of music recorded from the 50s/60s through the 90s. The number of excellent artists seems larger than ever. Sampling and rent-before-you-buy services make direct comparisons possible in a way we didn't have before the Web. Furthermore, if you are an experienced listener like me, you have thousands of vinyl and CD titles each. It is hard enough to keep track of my own music using a relational database, let alone the thousands of new recordings each year. When I first began to collect seriously, no one had listened to as much music as they had. Most of us who have been listening for years cannot now get what we want from a single volume anymore. We need the combination of single volume baseline reference, plus classical music periodicals (I get the BBC's Music magazine and they have I don't know how many reviews each month), PLUS online resources. Amidst the volume of classical music information, there is no single place I can go; I still like my single volume Penguin as a starting place for several reviews that I can assess, and then I can move out from there to other resources.

    I don't know about the future, however. With Darwinian pressures exerted by the changing environment and an aging, shrinking, classical consumer population, plus new innovations from the Web, our Penguin will need to adapt and evolve in the face of the public's Natural Selection choices lest it find itself, like such birds as the moa, dodo, and passenger pigeon, on the verge of extinction.

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