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A biography of Arthur Rubinstein's private life, including his love affairs, his rivalry with Vladimir Horowitz, and his relationships with the rich and powerful.
- Sales Rank: #659058 in Books
- Brand: Brand: Grove Press
- Published on: 1995-10-19
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.76" w x 6.38" l, 2.02 pounds
- Binding: Hardcover
- 448 pages
Features
- Used Book in Good Condition
From Publishers Weekly
Pianist Arthur Rubinstein (1887-1982), apart from being a world-renowned performer for more than 65 years, also wrote a bestselling autobiography, My Young Years. Sachs, author of an admired study of Toscanini, is therefore up against formidable competition?and comes out of it with great credit. His study is detailed, fair-minded and vivid. Rubinstein was vastly egocentric in his private life, yet appeared genuinely transformed by his music-making, which seemed often to come across better on recordings than in person and helped make him the bestselling classical pianist ever. A tireless womanizer, he was middle-aged before he married a woman 22 years his junior and had children. In the last decade of his life, he began a liaison with a young English concert promoter, Annabelle Whitestone (now married to British publisher Sir George Weidenfeld). Rubinstein seems never to have overcome his sad childhood, but the pleasure he gave and continues to give to millions was his true legacy. The book includes an outstanding review, by the author, of Rubinstein's recordings and a fine discography by Donald Manildi. Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
For decades people who were fortunate enough to see and hear esteemed pianist Artur Rubinstein (1887-1982) perform left concert halls spellbound. Rubinstein went for the soul of the audience as he wrapped his soaring and spirited playing around each listener. His magnificent interpretation of Chopin remains without equal. Biographer and music historian Sachs (Toscanini, LJ 11/1/78; Music in Fascist Italy, Norton, 1988. o.p.) first heard Rubinstein play in 1959, but it was not until 1986 that he seriously considered writing a biography of Rubinstein. Not having primary source material from the musician's first 53 years was an obstacle (Rubenstein's papers were destroyed or lost when the Germans occupied his house during the war), but Sachs had the full cooperation of Rubinstein's wife, Nela, and access to a huge amount of source material that had accumulated after the Rubinsteins came to the United States. Since in his memoirs (My Young Years, LJ 2/15/73. o.p., and My Many Years, LJ 1/15/80. o.p.) Rubinstein occasionally changed some dates and facts, Sachs realized an added necessity of thoroughness in his research. The resultant biography is definitive and belongs on the shelf alongside those memoirs. Recommended for music collections in both public and academic libraries.
Kathleen Sparkman, Baylor Univ., Waco, Tex.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Sachs' biography of Arthur Rubinstein (1887-1982) reveals him as generous, philandering, insecure, always seeking adoration, and the quintessential interpreter of nineteenth-and early-twentieth-century piano music. Born to Jewish parents in Lodz, Poland, Rubinstein was "abandoned" by them at 12, when he was sent to Berlin to study. He quit that five years later to embark on a world-wide career. Never a technician, Rubinstein concentrated on the emotion expressed by the music he played. He gained energy from being with other people, telling stories, playing music, and sight-seeing. Later, he coached younger pianists and promoted the careers of many. Although Sachs includes critical reviews of Rubinstein's recordings and a discography, he concentrates on Rubinstein's love affairs and relations with his family and friends, pointing out where the facts differ from Rubinstein's memoirs and arguably detracting some from his well-written biography's intimate exploration of Rubinstein, the man behind the music. Alan Hirsch
Most helpful customer reviews
33 of 33 people found the following review helpful.
Definitive...
By Hank Drake
Arthur Rubinstein (1887-1982) was a complicated man. His two-volume autobiography was an interesting read, but only revealed the portions of the pianist's life which he wanted known, was filled with numerous omissions and errors, contained a great deal of petty score settling (his comments about Heifetz, Schnabel and Horowitz were especially cutting), and remarkably little discussion of music.
Harvey Sachs, whose acclaimed biography of Arturo Toscanini is required reading for all musicians, has produced a meticulously researched and balanced look at the pianist's life and music.
As Sachs recounts Rubinstein's unusual childhood and early musical progress, it's clear that the pianist's early years (he left his parents before adolescence) set a pattern of devotion and abandonment which would scar his entire life.
Rubinstein had difficult relations with his entire family, particularly his wife and children. His eldest son had no communication with his father from 1969 onward, and in 1976, at the age of 89, Rubinstein left Nela, his wife of 44 years, for a woman young enough to be his granddaughter. In a sense, Rubinstein considered his adoring public to be his family, and when his biological family was not equally adoring, the pianist's reaction could be volcanic (he once loudly castigated his son, Paul--who was ill--for dozing in the green room during one of his concerts). The book reveals a man who was fundamentally generous (in 1960, he gave a series of ten recitals entirely for charity), but highly insecure, obsessed with position, and always needing to be at the center of attention-onstage or off.
Sachs has reconciled the frequent errors in Rubinstein's memoirs with regard to names, dates, and events. He also interviewed nearly everyone still alive who knew Rubinstein. The tangled story of Rubinstein's affair with Annabelle Whitestone, which lasted until his death, is handled with fairness and sympathy toward all parties.
Musicians and Rubinstein fans will find Donald Manildi's discography very useful-especially as the complete Rubinstein recordings have now been reissued by RCA. Sachs is a knowledgeable musician, but he occasionally lets his biases creep into his appraisal of Rubinstein's recorded legacy. He is notably critical of Rubinstein's Beethoven on several fronts, but the gist of his complaints is that the pianist didn't play it the way Toscanini conducted it. For the most part, however, Sachs' comments on Rubinstein's recordings are noted for their fairness, clarity, and objectivity.
On the whole, Harvey Sachs has done an excellent job of recounting Rubinstein's long and eventful life. As with his biography of Toscanini, this book should be read by anyone who loves great music or has ever bought a Rubinstein recording.
0 of 0 people found the following review helpful.
Rubinstein: A Life - not reccomended
By Patrick de Ridder (Pays Bas)
"Rubenstein: A Life", in my view, is a dreary, boring, and unimaginative summing up of little facts concerning the life of Rubinstein and those around him.
8 of 17 people found the following review helpful.
Brilliant on Rubinstein's connection with Brazil and Villa-
By A Customer
I would like to contact the author, as am presently effecting a research on Villa-Lobos, and not-at this stage- write a review. I believe there are a few minor mistakes with respect to brazilian personalities (eg the brazilian pianist Antonieta Rudge had no connection whatsoever with Pound's friend, the american violinist Olga Rudge) , and precisions with respect to dates, programs of Rubinstein's concerts in the 1920s, which I believe could be of interest to the author. I found the book fascinating, and would very much benefit from the possibility of discussing some points with the author.
See all 10 customer reviews...
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